#Vox ac10 best settings pro#

The AC30 is wider, taller and weighs 22 lbs more than the AC15. The AC30 also an FX loop and an additional reverb control. What are you guys doing with your EQ controls on the amp when you play direct? I always start at 5 and try to stay close to there if I can, even though there's no practical reason to have to do that. The Vox AC30 is a 30W amp with four EL84 power-amp valves and two 12 speakers, whereas the Vox AC15 is a 15W amp with two EL84 power-amp valves and a single 12 speaker.

Hard to describe, but it was just a different result than I had using it into Fender amps. It got really bright and the gain structure was a little messier. Other pedals of the high gain variety (the Wampler Pinnacle, for example), seemed a little less effective. Because it's a true tube/valve amplifier (unlike my SCX2, which is mostly DSP in the front end), it responds awesome to boosters and gain pedals that just push it a little further. The results were mixed - Tubescreamers and other overdrives like the Wampler Euphoria generally sounded great. Played with it some more, probably tried about 6 different guitars and a dozen or so pedals. Well, I will give it some time with the stock tubes and that is always an option down the road if I feel it is missing something. Check it out soon and see if you agree.Interesting. On the tremolo side, you get the choice of three iconic Fender sounds: Optical, Bias and Harmonic, the latter of which gives a more uni-vibe tone to proceedings.

However, for recording, we would still favour the slightly more compressed frequency response of the 10-inch version, because it's quicker and easier to dial in. Fender’s feature-rich Tre-Verb combines its own greatest hits of tremolo and reverb in one pedal. Ideal for home users, and great for lower-volume environments, the AC4C1-12's bigger speaker lends more authority and punch for live use. There are lots of small single-ended amps clamouring for your cash, but only a few of them have one of the most famous badges in guitardom. Ideally, you need a decent humbucker for this, and the AC4 sounded great with our Les Paul, although vintage PAF users should note the increased gain makes unpotted pickups much more likely to squeal. Turn up the gain some more, and the AC4's blues/rock alter ego appears, with a sweet singing sustain that's great for invoking the original British Invasion vibe. Set that treble knob right, though, and you get the chiming chord effect that makes the AC4's bigger brother one of the great rhythm guitar amps. Used at lower gain levels, the AC4's clean sounds are typical of what you might expect to hear from an early Vox: a boxy midrange and restrained bass coupled with a zingy treble that needs to be carefully tamed. I constantly watch local Ads and right now there is a 385 AC15C1 and a 425 AC10C1 for sale within the last week Last edited: Aug 15, 2020. Its worth it to play them all and see what you like most.

#Vox ac10 best settings pro#

We tried it with a Strat fitted with regular-output Duncan Alnico Pro II pickups (Hank-approved clarity for vintage Shadows stuff ) and a PAF-loaded Les Paul Standard. There was once a AC4C1-BL (blue vinyl covered) which came with the same 10' speaker that the AC10C1 uses. Sonically, the AC4 is well behaved, with just a faint background hum - something common to many single-ended designs. This apart, the AC4 is a good-looking and generally well-made little amp. There's ventilation, but it's not very effective. Because the AC4 is a pure single-ended Class A design, the EL84 runs hot - very hot in fact - with a lot of heat conducted to the control panel.